
Salty mommy😂
i am screaming this was A GOOD YOU GUYS??? it’s got all the tropes i really dig??? misunderstandings??? fwb to lovers???? unrequited love that eventually turns out to be requited????
Wakanda forever!
Nakia, Okoye & Shuri.
I, too, loved Black Panther and had to draw my favorite ladies.
I spent an embarrassing amount of time on these and unfortunately, Tumblr compresses the files. If you’re interested in seeing the HQ versions, check out my DA account.
**Please do not repost without credit or remove caption**
OH OH wait till Tin sees Bambi or Up or Big Hero 6?!
Imagine Can returning home from university one day to a dark room and muffled sniffling. “AI TIN, WHAT DID I TELL YOU ABOUT WATCHING DISNEY MOVIES ALONE WITHOUT ME? How many times do I have to say that you need parental supervision?!”
There was something people said in English that Tin had heard before in his youth. That before you can love someone, you must love yourself.
Back when Tin believed this, it was easy. The folly of youth and an abundance of self confidence and assurance in his family had made loving himself no question.
And then Tul’s treachery had come to the surface.
And a loathing and a fear and a coldness had swept through Tin like a plague. They loomed over Tin, unforgiving and unforgettable. A barrier to anyone who dared get closer.
Tin would never stop hating himself for being so easily fooled. And Tin was sure he would never love again, so blinded by his own self hatred. So disgusted by the nature of people.
Years and years later, when Tin met Can. When Tin learned to let Can in and see just how broken he was, he was surprised how easy it was to love Can.
It was so easy it was more frightening than anything Tul might do to continue to ruin Tin’s life.
But there was so much to Can, so many ways that he ingrained himself into Tin’s life, that Tin was left reeling in his wake. A burst of light in the darkness. Music in the empty and silent air. Oxygen in deprived lungs.
Even in Tin’s most self-loathing moments, the thought of Can, just a text away, brought Tin the momentum to keep going until he left the worrisome thoughts behind. It was easy for Tin to lose sight of his problems when he was lost in the surge of feelings so strong he might burst.
It wasn’t until Tin found another quote by a poet, Christopher Poindexter, that he realized just what Can had done for him.
“I loved her not for the way she danced with my angels, but for the way the sound of her name could silence my demons.”
Can had certainly done that. And Tin would love him forever for it.
special thanks to @lbc-tincan for allowing me to vent to them about soft boys dying their hair
also this idea is mainly their’s so credit to them for being dope
Pairing: TinCan
Prompt:
Written to the tune of: Touch It by EXOSummary: Just one peek of his almost, but not quite, boyfriend’s abs has Can obsessed. He’s got to touch them.
ajjilhan neoye shilluet (Your breathtaking silhouette)
neon geurimjamajeo areumdaweo (You’re as beautiful as a painting)
nal michige mandeuneun (Even your smallest movements)
jeo jageun haengdongkkaji da (That drive me crazy)@andwebegin @abbacate @dont-leav-eme @fkyb @lazygeisha
On this day in music history: November 16, 1993 – “Hand On The Torch”, the debut album by Us3 is released. Produced by Mel Simpson and Geoff Wilkinson, it is recorded at Flame Studios in London from Early 1992 – Mid 1993. Formed in 1992 by producers Geoff Wilkinson and Mel Simpson, their first release under the Us3 name titled "The Band Played The Boogie" becomes an underground hit in the UK after its picked up by Ninja Tune Records. It receives unexpected widespread exposure when radio station Kiss FM in London begins playing it. The record which samples jazz guitarist Grant Green’s classic “Sookie Sookie” also attracts the attention of Blue Note Records, the label that released Green’s original recording. Having sampled the Green record without authorization, Wilkinson and Simpson are initially fearful that they are going to be sued by Blue Note when they are called to the label’s London office. Instead, they are surprised when the label not only offers to sign them, but also gives them unlimited access to the company’s vast archive of landmark jazz recordings. Recruiting rappers Rahsaan Kelly, Kobie Powell and Tukka Yoot, the group begin recording their first album. Among the songs cut is “Cantaloop (Flip Fantasia)” (#9 Pop, #21 R&B), sampling Herbie Hancock’s "Cantaloupe Island" and Birdland MC Pee Wee Marquette’s voice from jazz drummer Art Blakey’s “A Night at Birdland Vol. 1” album. The song is released as a single in September of 1993, and becomes a major hit, also going Gold. The success of the song propels “Hand” to Platinum status in the US, becoming the first album in the history of Blue Note Records to achieve sales of that level. It spins off another single with “Tukka Yoot’s Riddim” (two other singles in Europe). “Hand On The Torch” peaks at number thirty one on the Billboard Top 200, number twenty one on the R&B album chart, and is certified Platinum in the US by the RIAA.
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