It’s the first draft. Use the word “suddenly.” Put as many dialogue tags and adverbs as you want. Say “he saw” “she remembered” “she felt” “they wondered” as many times as you need to. Put the em dash there, put in too many commas, use semi-colons with reckless abandon. Type in [whatever] instead of thinking up a title for something. Just write it. If you worry too much about the particulars, about all the advice posts you’ve seen saying whatever you’re doing is wrong or not good enough, you won’t get anything done. It will slow you down as you go back and try to reword what you just wrote to make it better, proper. The first draft doesn’t have to be perfect. It just has to be done. And when you get to the end, you’ll find that all those “mistakes” are just clues for your future self to put together to make it all better.
Putting in adverbs and certain dialogue tags are a note for you as to who is saying something and how they’re saying it. When you’re editing, you can make sure it shows through the story instead. The word “suddenly” is a reminder to make things more abrupt. The first draft is just you mapping out where you want to go and how you want to get there. Don’t waste time trying to get it 100% right now, because then it will never get done. Don’t think too much– just write. Save the thinking for editing later.
Here’s some actually worthwhile writing advice that my intro to creative writing professor gave me like 4 years ago that I still use. (Also I’d recommend The Art of War for Writers, which I’ve also found to be a very good resource for people starting out)
you know what actually pisses me off? when I finally start to feel a smidge of confidence in my writing ability and then some JERK POSTS A SINGLE LINE FROM A TERRY PRATCHETT NOVEL AND IT’S BETTER THAN ANYTHING I WILL EVER WRITE NO MATTER HOW MANY MILLENNIA I SPEND TRYING!
Terry was a professional writer from the age of 17. He worked as a journalist which meant that he had to learn to research, write and edit his own work very quickly or else he’d lose his job.
He was 23 when his first novel was published. After six years of writing professionally every single day. The Carpet People was a lovely novel, from a lovely writer, but almost all of Terry’s iconic truth bomb lines come from Discworld.
The Colour of Magic, the first ever Discworld novel was published in 1983. Terry was 35 years old. He had been writing professionally for 18 years. His career was old enough to vote, get married and drink. We now know that at 35 he was, tragically, over half way through his life. And do you know what us devoted, adoring Discworld fans say about The Colour of Magic? “Don’t start with Colour of Magic.”
It is the only reading order rule we ever give people. Because it’s not that great. Don’t get me wrong, very good book, although I’ll be honest I’ve never been able to finish it, but it’s nowhere near his later stuff. Compare it to Guards Guards, The Fifth Elephant, the utterly iconic Nightwatch and it pales in comparison because even after nearly 20 years of writing, half a lifetime of loving books and storytelling Terry was still learning.
He was a man with a wonderful natural talent, yes. But more importantly he worked and worked and worked to be a better writer. He was writing up until days before he died. He spent 49 years learning and growing as a writer, taking so much joy in storytelling that not even Alzheimer’s could steal it from him. He wouldn’t want that joy stolen from you too.
Terry was a wonderful, kind, compassionate, genius of a writer. And all of this was in spite of many many people telling him he wasn’t good enough. At the age of five his headmaster told him that he would never amount to anything. He died a knight of the realm and one of the most beloved writers ever to have lived in a country with a vast and rich literary tradition. He wouldn’t let anyone tell him that he wasn’t good enough. And he wouldn’t want you to think you aren’t good enough. He especially wouldn’t want to be the reason why you think you aren’t good enough.
You’re not Terry Pratchett.
You are you.
And Terry would love that.
I only ever had a chance to talk to Terry Pratchett once, and that was in an autograph line. I’d bought a copy of The Carpet People, which was his very first book, and he looked at it with a faint air of concern. “You realise that I wrote that when I was very young,” he said, in warning.
“Yes,” I said. “But I like seeing how authors grow.”
He brightened and reached for his pen. “That’s all right then,” he said, and signed.
First of all, try not to draft and edit at the same time. These are two very different mental tasks and they both become harder if you try to do them simultaneously.
When you’re writing your first draft, try to get back into that zone of writing as you think, of surprising yourself. If you can’t turn off the critical/analytic part of your mind, I’ve found that low-level distractions help. So, music, white noise, anything that takes up just enough attention that you can’t fixateon every detail. (Some folks have differences in the way their attention and verbal processing works that make this impossible, though. I’ll let you know when I’ve done more research on that.)
Second of all, when you revise, do not try to fix everything at once, and don’t crawl through your draft one sentence at a time. Instead, do multiple passes through the whole draft, focusing on a different issue in each pass.
To begin, read the draft all the way through and take note of largeissues you’d like to change – plot points, decisions the characters make, etc. Then rough those changes in, much the way you wrote the draft. Go all the way through your draft when you do this. Later, you can do a pass in which you focus on smaller issues.
On each pass, you want to get from the beginning to the end fairly quickly, or at least work at a steady pace without lingering over one bit for very long. If you can’t get a passage quite right, make a note and come back to it.
This method helps keep you from getting stuck and rewriting over and over until the end of time. It also helps you see the whole story and treat it a unified experience, not just as a series of parts.
For right now, though, just try to notice when you’re fixating on a single passage. Start by just becoming aware of when that’s happening. That’s the first step in teaching yourself not to linger and get stuck.
I just showed my 11-year-old son how many coffee shop AUs there are on AO3.
Why?
He sat down the other day to write a Minecraft story about three kids who go through a portal in their back yard and end up in the world of Minecraft where they have to battle all the big bosses (I didn’t even realize there WERE big bosses in Minecraft but that’s beside the point). He wrote three chapters with a little input from me – his first beta – and y’all?
He was fucking excited. To be writing a story.
Today he came home from school and seemed a little down, so I asked him about it only to find out that some little asshole at his school told him, “There is already a Minecraft story.”
Me: Okay? So what?
Lucifer: If there’s already a story, no one will read mine.
Immediately, I dragged him in and pulled up my AO3 account. My boys know I write fanfiction, so I showed him my account and how many subscribers I have. Then I showed him how many Teen Wolf stories there are. And then, because it seemed like the perfect analogy, I said, “What if I wrote a story where two characters meet in a coffee shop and fall in love? No werewolves, nothing at all to do with the actual Teen Wolf universe. Just Stiles and Derek meet in a coffeeshop and fall in love.”
He laughed.
I showed him Mornings Aren’t For Everyone. Showed him how many hits it had, how many kudos, how many lovely comments.
Then I said, “So do you think, if anyone else wrote a story about those exact same characters meeting in a coffee shop and falling in love… would anyone read it?”
He laughed and said, “No because you already did.”
So I clicked on the Sterek tag and refined to coffee shop AU. His mind was blown to see that they ALL had thousands of hits and kudos and comments. Then I clicked on JUST the coffee shop AU tag and showed him all the fics across all the fandoms written by countless different people.
I’m going to tell you all now what I told him because it applies to everyone.
Write your story. It doesn’t matter that someone else has written a story about that subject. They didn’t write YOUR story. Only you can do that.
catch of breath, choke, gulp, heave, inhale, pant, puff, snort, wheeze, huff, rasp, sharp intake of air, short of breath, struggle for breath, swallow, winded
WHY DID NO ONE TELL ME ABOUT PRO WRITING AID BEFORE?! THIS THING IS FUCKING GLORIOUS. HOLY SHIT. LOOK AT THIS.
IT GIVES YOU A WHOLE DAMN REPORT ON YOUR WRITING AND WALKS YOU THROUGH HOW TO MAKE IT BETTER AND WHY IT IS SUGGESTING CHANGES. THIS IS JUST A TINY CHUNK OF THE HUGE REPORT IT GAVE ME ON THE FIRST CHAPTER OF ONE OF MY PROJECTS. I AM IN LOVE.
AND IT WORKS WITH SCRIVENER. AND IT IS AFFORDABLE.
WHY DID NO ONE TELL ME?!
Seriously, a couple hours with this and my first chapter is so much better. It helped me see problems I KNEW I had (passive voice, showing vs. telling, adverbs) but was having a hard time sussing out. It has made editing so much more fun and easy because now I know what the hell I’m doing and what to look for instead of stumbling around blind shouting “adverbs? adverbs?” like a town crier. I can already tell I’m getting better at seeing things without the program having to show me too.
The Last Good Bar 
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