I do plan on doing a fix-it fic but I am going to be honest. I am having two versions. Version A will pretend the car scene happened but with a different ending and Version B will follow what happened in the book
In neither of these will I say that what Can or Tin felt was dumb or wrong. like @florbexter said, they both had every right to their feelings. Tin had every right to feel hurt and upset while Can had every right to feel scared. I will include both of these feelings in both versions of the fic. Version A is not going to happy go lucky rainbows and sunshine. It will follow a similar path as the episodewith a much happier ending. But the car scene will be included in both versions and will have Tin leaving Can.
(. @weilongfu is doing a fix-it as well and I don’t know what they are writing about but I know it will be wonderful regardless and is based of an EXO song so … bonus points. I have a slight feeling that their fic will be happier than mine.)
Can is afraid that everything will change. Everything that’s been building up between him and Tin is proof. But when Can gives himself some distance to try and figure things out, he realizes just how far he and Tin have come. Their hearts beat to the same tempo, and he’s not going to let anyone mess it up. Not even himself.
Okay, listen, it’s very clear that Kafe is Fairy and what if Elle found her in her car after her accident, and whatever kind of being he is he felt her pain and had to help her and the only way he knew how was to take her soul into his body and now he sees how Good reacts to Kafe and he never saw someone looking at him like this even if it’s not really him and all he wants is giving Kafe back to Good but he has to give his life energy to be able to do it and he will slowly fade away and sometimes in the future Kafe dries herself and she stays Kafe and ok goodbye I am crying now…
chuck tingle, two time hugo award nominee and author of such erotica classics as ‘space raptor butt invasion’, ‘i’m gay for my living billionaire jet plane’, ‘bigfoot pirates haunt my balls’, and ‘there’s a bitcoin in my butt and he’s handsome’ just published a short story about the importance of consent and how it’s okay to have a loving relationship without sex if you want to???
that’s lovely on its own but it’s also called ‘not pounded in the butt by anything and that’s okay’, which is my favourite book title ever
On this day in music history: November 11, 1978 – “I’m Every Woman” by Chaka Khan hits #1 on the Billboard R&B singles chart for 3 weeks, also peaking at #21 on the Hot 100 on December 23, 1978. Written by Nick Ashford & Valerie Simpson, it is the first solo chart topper for the lead singer of the R&B band Rufus. After recording five albums with Rufus, Chaka Khan begins work on her first solo album with producer Arif Mardin (Aretha Franklin, Average White Band, the Bee Gees) in early 1978. While searching for material to record, Mardin finds the song “I’m Every Woman”, written by Ashford & Simpson, who Khan had recently collaborated with on Quincy Jones’ R&B chart topper “Stuff Like That”. The husband and wife duo play the demo for Mardin off of an acetate disc they had recorded some years before. The producer writes out the chord changes and lyrics, before coming up with a new arrangement. Recorded at Atlantic Studios in New York City, the track features musicians such as AWB members Steve Ferrone (drums), Hamish Stuart and Onnie McIntyre (guitars and background vocals), bassist Anthony Jackson, guitarist Phil Upchurch and keyboard player Richard Tee. An instant R&B radio and club classic upon its release in September of 1978, it also crosses over into the pop Top 30 before the end of the year. Whitney Houston covers “Woman” (#4 Pop and R&B) for “The Bodyguard” soundtrack in 1992, and Khan makes a cameo appearance in the music video. “I’m Every Woman” is the first of three solo number one singles for Chaka Khan, with that single propelling the accompanying album “Chaka” to Gold status in the US.
The Last Good Bar 
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