On this day in music history: November 8, 1985 – “All For Love”, the third album by New Edition is released. Produced by Vincent Brantley, Richard Rudolph, Michael Sembello, Rick Timas and Freddie Perren, it is recorded at George Tobin Recording in North Hollywood, CA, Hollywood Central Studios in Hollywood, CA, O’Henry Sound Studios in Burbank, CA, Bossa Nova Hotel, Mom And Pop’s Living Room in Los Angeles, CA, Omega Recording Studios in Washington, DC, and Sea-Saint Studios in New Orleans, LA from April 13 – October 25, 1985. Following the double Platinum success of their self-titled album for MCA, New Edition begin recording the follow up in the Spring of 1985. Again, they work with producers Vincent Brantley and Rick Timas, as well as veteran R&B producer and songwriter Freddie Perren (The Jackson 5, The Sylvers, Peaches & Herb), Richard Rudolph (Minnie Riperton, Teena Marie) and guitarist Michael Sembello (Stevie Wonder). The album is also the last to feature Bobby Brown (until the reunion album “Home Again” in 1996) who leaves for a solo career, unhappy in his minimal role as a lead vocalist in the group, with MCA favoring principal lead singer Ralph Tresvant. It spins off three singles including “Count Me Out” (#2 R&B, #51 Pop), “A Little Bit Of Love (Is All It Takes) (#3 R&B, #38 Pop) and “With You All The Way” (#7 R&B, #51 Pop). After the release of “All For Love”, the group goes through a major legal battle to extricate themselves from their management contract with Jump And Shoot Productions. New Edition discover that they again are bound to a production deal with their managers, rather than directly to MCA Records. Going over their contracts with attorneys, they discover that all recording costs, promotion and tour support are being paid for out of their meager share of royalties, which leave them in a major amount of debt to their managers and record label. By 1987, they are able to get out of their bad business dealings and sign directly with MCA. “All For Love” peaks at number thirteen on the Billboard R&B album chart, number thirty two on the Top 200, and is certified Platinum in the US by the RIAA.
love – overthinker, long baths with rose petals, sad yet powerful smiles, old libraries, often found staring at the stars, hands smudged with graphite, no sleep™
honey – messy hair, loud yet beautiful laughter, bold colors, swirly handwriting, pink lipstick, wandering through art museums, dancing for no reason, vibrant dreams
sweetheart – summer breezes, compliments everyone, probably owns a pair of overalls, tea drinker, can’t sing for shit but still does anyway, favorite type of food is dessert
cutie – likes baking, says they’re stupid but is actually really damn smart, wants pastel hair, takes really nice notes, ice cream, favorite article of clothing is an oversized hoodie, pretty eyes
darling –s o f t, fav color is either yellow or pink, lots of flowers, wants to pet a cat, sleepy, actually has time to eat breakfast, rainy days, lip gloss
where! has! my! passion! gone! I had it abundantly when I was a child, and I must have dropped it along the way, but I cannot figure where!
oh hey folks fun update, i found my passion again? i just had to find my right outlet, get to a place where I have aspirations, dispel apathy and pursue what I love, it’s all good and swell!
reblog this to find the right outlet, get to a place where you have aspirations, dispel apathy and pursue what you love, and rediscover your passion.
characters who crave affection but at the same time have no idea how to respond to actually receiving it due to the fact theyve rarely ever experienced it are my absolute favourite
Many Ships, one Fleet. Some are out sailing the waters of the Fan Fiction Seas, some exploring Canon Cove. Some are in drydock, waiting for their fandoms to be active again, some are mothballed, old and outdated, never to be seen again. And some…some are a Ghost Fleet, rumored to exist but very rarely seen.
“Was Can able to reach you yesterday?”, Pete asked the moment he sat down next to Tin. Tin turned his had so fast he was afraid of whiplash. “What do you mean?” Pete frowned. “He asked me for your number yesterday. He said he had to ask you something important.” Pete looked at him with big innocent eyes. They seem to fool Ae but Tin knew better so he tried to act nonchalant.
“Yeah, he reached me.”
Pete seemed to expect more information but Tin remained silent.
The Image of the Black in Western Art Research Project and Photo Archive, W.E.B. Du Bois Institute for African and African American Research, Harvard University
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